Fred Powell and Margaret Scanlon

It seemed to me that what they wanted was to be inside the games, within the notional space of the machine. The real world had disappeared for them – it had completely lost its importance. They were in that notional space, and the machine in front of them was the brave new world.

William Gibson, Neuromancer

William Gibson invented an apparently nonsensical word “cyberspace” in his futuristic 1984 novel Neuromancer, to describe a hallucinogenic world of computers and a post-punk generation of young people, living in a world of urban decay. His vision was prompted by an experience of watching kids playing video games in Vancouver. The hallucination turned into reality; thirty years later science fiction has been transformed into a mass digital culture, where many young people teeter on the edge of virtual reality. It is psychological escape from the reality of the austerity city, where legions of anonymous young people find themselves consigned to living marginalised lives. They are called the “precariat” (Standing 2011). The word precariat conveys the precarious status of vulnerable young people in the austerity city, as a denizen class with few rights. David Harvey (2013) comments in reference to the austerity city and one of the places to start would be to focus on the rapidly degrading qualities of urban life, through foreclosures, the persistence of predatory practices in urban housing markets, reductions in services, and above all, lack of viable employment.

Young people in the austerity city face profoundly existential challenges that affect their health. At a recent EU-Council of Europe Youth Partnership conference, Beyond Barriers, held in Malta in November 2014, on the role of youth work in supporting young people in vulnerable situations, one youth participant observed that there is “no difference between dying inside and really dying”. These anguished words capture the mindset of vulnerable young people in the postmodern world. Many of these young people arguably face similar challenges to displaced young people after the Second World War (Lowe 2012). While the European urban landscape has been transformed from cities reduced to rubble into prosperous centres of culture and relaxation, the psychogeography of the austerity city presents vulnerable young people with a profound sense of displacement and social exclusion.

One of the most defining features of this denizen youth class in the austerity city is their use of cyberspace to convey their anger to the world. The troll has emerged in this cultural landscape as the modern trickster, playing pranks on the adult world. Some of these trolling activities have attracted public condemnation, such as the alleged misogyny of “Gamergate” (trolls are predominantly male) (Gleick 2014). Trolls simply say “I do it for the lulz”, broadly meaning “I do it for the laughs”. Derived from the Internet acronym LOL (laugh out loud), it expresses the mocking humour of the precariat on the margins of urban civilisation (Gleick 2014). In this article we explore: (i) the position of youth in postmodern society in terms of lifestyle change and transition; (ii) the emergence of the youth precariat and “generationism” as a new force in politics and society; and (iii) the implications for youth policy and youth work. We adopt the concept of the austerity city as a metaphor for the growing social inequality young people are experiencing.

About authors

Fred Powell is Professor of Social Policy and former Dean of Social Science at University College Cork.

Margaret Scanlon is a Post-Doctoral Researcher in the School of Applied Social Studies, University College Cork.